Taglines: Something New, Something Borrowed, Something Blu.
Liv (Kate Hudson) and Emma (Anne Hathaway) are best friends who have planned every detail of their respective weddings from the time they were little girls playing “Here Comes the Bride” in their attics. They have always known, beyond a shadow of a doubt, that they will be married at New York’s ultimate bridal destination, the Plaza Hotel.
Now, at age 26, they’re both about to get married; they’re about to realize their dreams and they’re about to live happily ever after. Or maybe not… When a clerical error and subsequent clash in wedding dates pits these two reasonable, rational, respectful young women against each other, an explosion occurs that almost shatters their friendship.
Kate Hudson who both stars in and produces Bride Wars takes on the role of Liv, a succesfull lawyer who ise used to getting what she wants -the perfect job, the perfect man, and the perfect wedding. That is, until her best friend Emma played by Anne Hathaway, decides to claim the same dream. Emma, a schoolteacher who has always been god at taking care of others, but not so much in looking after herself, finds her inner Bridezilla and comes out swinging when she thinks her wedding day is at stake.
Bride Wars is a 2009 American romantic comedy film directed by Gary Winick and written by Greg DePaul, June Diane Raphael, and Casey Wilson. The film stars Anne Hathaway, Kate Hudson, Candice Bergen, Kristen Johnston, Bryan Greenberg, Steve Howey, Chris Pratt, Michael Arden, Kelly Coffield Park, June Diane Raphael and Shannon Ferber. In its opening weekend, the film grossed $21,058,173 ranking #2 at the box office. As of May 26, 2009, it has made $58,715,510 in the United States and Canada, $55,982,521 in foreign countries and a total of $115,049,554 worldwide — a financial success despite its largely negative reviews.
About the Production
Every wedding has a story but this one isn’t about a bride and a groom; it’s about a bride… and a bride. The ladies in question are lifelong best friends Liv and Emma, who couldn’t be closer – or more dissimilar. Liv, a high-powered attorney, is a natural leader who knows what she wants and exactly how to get it done. Emma, a dedicated schoolteacher is empathetic and generous to a fault – the “type-Z” to Liv’s type-A, the yin to her yang. But that’s all about to change when a horrific mistake leads to dueling weddings, an escalating conflict rife with ingenious pranks to undermine the other’s Big Day, and a friendship that is about to implode.
Kate Hudson sparked to the idea of warring brides, as presented to her several years ago in the original story and draft screenplay. Believing that the notion provided an opportunity to take a unique and irreverent look at women, Hudson decided not only to take on one of the leading roles in what came to be called BRIDE WARS, but to make it her producing debut. “I really wanted to do a movie that was about women pushing the comedic envelope,” says Hudson. “And what better setting to see this happen, than a wedding. I love this kind of comedy and enjoyed seeing how far we could take the humor. It’s a fun story that also has a lot of heart.”
Hudson embraced the responsibilities of producing a major motion picture, likening them to the challenges faced by her on-screen character, Liv Lerner, who confronts problems head-on, and knows how to get things done. “[As a producer] I got to be Liv – bringing together everyone on the production, creating a family of filmmakers, and letting everyone do what they do best,” comments the newly-minted hyphenate.
But for a while, says Julie Yorn, who joins Hudson as a producer on BRIDE WARS, the filmmakers were undecided about which role Hudson should take. “Eventually, we realized that there is so much in the part of Liv that is true to Kate’s personality, we began to craft the role specifically for her.”
Enter Anne Hathaway, who came aboard the project long before cameras began rolling, to portray Emma. The two characters couldn’t be closer, as friends – but further apart in temperament. “I think Emma has gone through life a little too passively,” says Hathaway, who recently starred as Agent 99 in the smash comedy “Get Smart,” and in an acclaimed performance as the troubled sister-of-the-bride in “Rachel Getting Married.”
“Emma is a really nice, loyal friend, and somebody very comfortable standing in the background,” Hathaway continues. “But when her wedding day is threatened, she is willing to fight for it. For the first time in her life, she wants to be ‘number-one.’ Emma discovers her backbone and her darker side. In the end, she learns that she can honor both aspects of her personality.”
“We knew we found the perfect Emma in Anne,” says Yorn. “Anne has a quality of innocence that complements Kate’s personality. We were lucky to find two actors who have such lovely, likable qualities but who convince us that their on-screen characters can do such awful things to each other. And we still love them. There is something about Kate’s smile and Anne’s soulful eyes that are impossible not to forgive.”
As Hudson oversaw additional work on the script, the story evolved from focusing on the “wars,” to spending more time on Liv and Emma’s complex and deep friendship. It was decided to have the two women share, since childhood, the dream of a perfect wedding; this element created more opportunities for character-developed and story-based humor.
The filmmakers brought on screenwriters Casey Wilson & June Diane Raphael, themselves best friends, to further explore Liv and Emma’s longtime bond through the prism of pre-wedding craziness. “The bride wars are a backdrop against which their friendship plays out,” says Wilson, a writer-performer on “Saturday Night Live.” “There’s a comic darkness behind preparing for a wedding, and we drew on how insane the process can get.”
Adds Raphael: “BRIDE WARS is about friendship and the crazy ways in which your best friend – the person who knows you so well – can also bring out the very worst in you. And that can be very scary. Friendships are sometimes difficult to navigate, especially when we know exactly where the other person’s flaws and insecurities live.”
“Liv and Emma become better people and friends because of their battle,” Anne Hathaway elaborates. “It was important that their ‘bride wars’ have an emotional payoff for them. Emma was a pushover who let people walk all over her. Tapping into her inner ‘Bridezilla’ made her stronger and more honest – and saved her from making a terrible mistake. She needed to be pushed outside of her comfort zone – and Liv was the only person who could do that.”
Kate Hudson notes that Liv’s journey is very different from her friend’s. “Liv needs a mirror put up to her, to make Liv realize that her own aggressive behavior had spilled into her life way before the wedding, and that it was time to share a little bit. So both women are made stronger.”
It was the complex friendship between the two characters that attracted the attention of director Gary Winick, who states that “friendship is the most important thing in my life. So that’s why I wanted to make BRIDE WARS; it’s about best friends – two incomplete people who together are complete. But they have to be apart to learn how to grow as individuals and as friends.”
Winick is no stranger to the theme, noting that a previous directorial effort, the live-action/animation “Charlotte’s Web,” was at its heart the story of a friendship between a pig and a spider. And he downplays the fact that that most of his key creative team are women, including Hudson, Hathaway, Yorn, writers Wilson & Raphael, and the principal studio executives on the project. After all, he points, out, he helmed “13 Going on 30,” the popular 2004 comedy starring Jennifer Garner, and whose writers and producers were female; as well as the pilot for “Lipstick Jungle,” about three powerful women in New York City. “I don’t pick the material [I work on] based on the gender of its creative team and characters,” says Winick. “Those projects were stories I wanted to tell.”
Continue Reading and View the Theatrical Trailer
Bride Wars (2009)
Directed by: Gary Winick
Starring: Anne Hathaway, Kate Hudson, Candice Bergen, Kristen Johnston, Bryan Greenberg, Steve Howey, Chris Pratt, Michael Arden, Kelly Coffield Park, June Diane Raphael, Shannon Ferber
Screenplay by: June Diane Raphael, Karen McCullah Lutz, Kirsten Smith
Production Design by: Dan Leigh
Cinematography by: Frederick Elmes
Film Editing by: Susan Littenberg
Costume Design by: Karen Petch
Set Decoration by: Ron von Blomberg
Art Direction by: James Donahue
Music by: Ed Shearmur
MPAA Rating: PG for suggestive content, language, rude behavior.
Distributed by: 20th Century Fox
Release Date: January 9, 2009
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