Taglines: Silent Betrayal. Deadly Passion. Sweet Revenge.
Break Up follows Jimmy Dade (Bridget Fonda) and her goal to get away from her abusive husband (Hart Bochner). Jimmy isn’t a typo, I swear. Apparently her father wanted a boy originally. How she gets saddled with a name like James is beyond me, I mean why didn’t her mother step in? Maybe she was abused too? Who knows, but I guess that wouldn’t be too much of a stretch. Officer John Box tries to help Jimmy out, but things get complicated of course. Her secret bank account is emptied and she has to find a way to stop her husband Frankie before he can do more damage.
Break Up is a 1998 American crime thriller film directed by Paul Marcus and written by Anne Amanda Opotowsky. It stars Bridget Fonda, Kiefer Sutherland, Steven Weber, Hart Bochner, Penelope Ann Miller, Tippi Hedren, Leslie Stefanson, Mike Hagerty and Charles Noland.
Film Review for Break Up
The way the movie is set up has to be explained with flashbacks. Leaving an audience with questions is fine and dandy, but is it really necessary to do that regarding Jimmy’s deafness? She’s been deaf for a year apparently as a result of one of Frankie’s beatings. It’s an awkward beginning and it doesn’t heighten any feelings of sympathy for Jimmy either. If the audience were told in a straightforward way, we would have felt bad just the same. It all feels like an unnecessary detour in the story.
The story itself just feels extremely flat. This is a thriller and the story should be as uneven as a mountain with some peaks larger than others. What Break Up has is probably less than a couple of speed bumps. The score doesn’t try to overcompensate too much though which is nice and I actually kind of liked it. There are a few moments where it sounds uninspired and low budget but other times it adds a certain seedy quality that’s fitting.
Bridget Fonda does pretty well as Jimmy Dade, but nothing earth shattering. She’s forced to play a bit of a dumb character who seemingly sets herself up for capture again and again but that’s what the script calls for. It’s not Fonda’s fault and she does well enough as a recently deaf woman.
Kiefer Sutherland on the other hand looks like he’s sleep walking. It doesn’t look like he wants to be there at all and he just adds to the non-thrillerness of Break Up. Bridget Fonda’s character calls for some desperation on her part but Kiefer just seems to be asleep at the wheel. In the moments where there should be some kind of heartbeat from him there’s just nothing.
The script is weak with things like (Spoilers) an incredibly dumb escape from a police station to Jimmy conveniently being able to get her hands on a car. Jimmy even returns to the same police station without getting spotted! (End spoilers) There’s a slight build up near the end but the climax is more confusing than anything else.
Can anyone tell me why you wouldn’t shoot the abusive husband who’s just suddenly appeared in your motel room uninvited? Jimmy instead gives him the gun (!!!) and puts on an act of having missed him. Then she shoots him. Why the wait at all? (End Spoilers) This is Hollywood though and I guess endings can’t be too logical if they sacrifice thrill. The solution here would be completely re-toggling the end into something that makes more sense.
Break Up is perfect for a late night watch when you’re at a hotel and you have a business meeting the next morning. It’s easy and it’ll put you to sleep instead of putting you at the edge of your seat. You need that rest after all. Bridget Fonda makes a valiant effort but it doesn’t cover up for the sleeper that is Break Up.
Break Up (1998)
Directed by: Paul Marcus
Starring: Bridget Fonda, Kiefer Sutherland, Steven Weber, Hart Bochner, Penelope Ann Miller, Tippi Hedren, Leslie Stefanson, Mike Hagerty, Charles Noland
Screenplay by: Anne Amanda Opotowsky
Production Design by: Clark Hunter
Cinematography by: Hubert Taczanowski
Film Editing by: Arthur Coburn
Costume Design by: Doug Hall
Set Decoration by: Traci Kirshbaum
Art Direction by: Max Biscoe
Music by: Laura Karpman
MPAA Rating: R for brutal violence including domestic abuse, strong sexuality and language.
Distributed by: Dimension Films
Release Date: August 21, 1998
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