Taglines: What you see isn’t always what you get.
Joe is an aspiring actor working as a bus boy in a high-class restaurant. His longtime girlfriend Mary works as a cosmetician for the fashion industry and largely supports him with her steady income. Joe is more concerned with expressing himself than getting a paying job, and has been unwilling to accept roles that do not live up to his artistic standard.
Mary supports Joe, but urges him to accept any role to get his foot in the door. Meanwhile, his co-worker Bob lands a lucrative role on a soap opera. Bob is a classically trained actor, but is willing to overlook the quality of the material for the money. He also has a fetish for natural blonde women, leading him to date Sahara, a naive model, and then dump her after discovering that her hair is dyed.
Joe swallows his artistic pride and meets with an agent, Dee Dee Taylor, who arranges for him to be an extra in a Madonna video. Mary is harassed as she walks to work each day and begins taking a self-defense and anger management class on the advice of her therapist. The instructor encourages her to express her anger, and she finds the class extremely empowering. Bob is successful in his soap opera role and begins a relationship with his costar Kelly, a “real blonde”.
At the Madonna video, the director treats Joe and the other extras like cattle. Joe meets Madonna’s body double, Tina, a friendly aspiring actress, and gets himself fired for protesting an anti-Semitic statement made by the assistant director. Joe’s firing sparks an argument between Joe and Mary. The pressure of Joe’s career is straining their relationship, and they have not had sex in a long time. Mary’s instructor, Doug, gives her a ride home from her class and makes a pass at her. She rebuffs him, but lies to cover up the incident to Joe. Meanwhile, Bob suffers from erectile dysfunction and is unable to have sex with Kelly. She mocks his inadequacy and leaves him.
Dee Dee takes pity on Joe and allows him to audition for the role of a “sexy serial killer”. He reads his lines with Tina and begins to improvise his dialogue. He impresses the producers and lands the role. Tina invites him out for a drink and he resists her advances with some difficulty. Mary meets with her therapist and tells him about her experience with her self-defense instructor.
He tells her that she must become comfortable with men showing their attraction to her and begins sharing his own sexual fantasies about her. She storms out of the session. Meanwhile, Bob is negotiating a longtime contract on the soap opera, but Kelly continues to taunt him on set. Bob threatens to quit the show and then forces the producer to kill off Kelly’s character.
The Real Blonde is a 1998 film directed and written by Tom DiCillo. It stars Matthew Modine, Catherine Keener, Daryl Hannah, Maxwell Caulfield, Elizabeth Berkley, Marlo Thomas, Bridgette Wilson, Buck Henry, Christopher Lloyd and Kathleen Turner. The film is a satire on New York’s fashion and entertainment industries.
The Real Blonde (1998)
Directed by: Tom DiCillo
Starring: Matthew Modine, Catherine Keener, Daryl Hannah, Maxwell Caulfield, Elizabeth Berkley, Marlo Thomas, Bridgette Wilson, Buck Henry, Christopher Lloyd, Kathleen Turner
Screenplay by: Tom DiCillo
Production Design by: Christopher Nowak
Cinematography by: Frank Prinzi
Film Editing by: Keiko Deguchi, Camilla Toniolo
Costume Design by: Jennifer von Mayrhauser
Set Decoration by: Gordon Sim
Art Direction by: Paul D. Austerberry
Music by: Jim Farmer
MPAA Rating: R for sexuality and language.
Distributed by: Paramount Pictures
Release Date: February 27, 1998