Prelude to a Kiss movie storyline. In this quirky romantic comedy about soul transference, Alec Baldwin plays Peter Hoskins, the straight-laced head of the microfiche department at a company that publishes scientific journals. When he meets a free-spirited, sleep-deprived bartender named Rita (Meg Ryan), the opposites attract and launch into a round-the-clock romance characterized by private jokes and an intense connection that defies description. When the two decide to marry, however, an unforeseeable cosmic occurrence entirely alters the nature of their relationship.
Those who claim that marriage changes a person couldn’t be more right in this case, as a confused old man (Sydney Walker) wanders into the wedding reception and plants a single kiss on the lips of the new bride. Longing for the youthfulness he sees in the happy couple, the man inadvertently causes the two to switch bodies during the smooch. Thinking no one will believe the story, Rita (now hidden inside a cancer-ridden octogenarian) leaves the premises before causing any more of a stir, while the old man in Rita’s body is whisked off with Peter on their honeymoon before anyone is the wiser.
Soon, Peter begins noticing that his new bride is an entirely different person, but can’t figure out why — and wonders if it’s just a natural dose of cold feet. When he can no longer ignore the total dissimilarity, Peter begins suspecting that something supernatural has occurred, and wondering how he can restore his wife to her former self, especially when her body’s new occupant resists the effort and goes on the lam.
Prelude to a Kiss is a 1992 American romantic fantasy film directed by Norman René and starring Alec Baldwin, Meg Ryan, Kathy Bates, Ned Beatty, Patty Duke, Sydney Walker, Debra Monk, Stanley Tucci, Annie Golden, Sally Murphy and Frank Carillo. It is based on the 1988 play of the same title.
Film Review for Prelude to a Kiss
Empathy. The ability to put yourself in another person’s shoes, to imagine what it would be like to look out at the world through another person’s eyes. Most of us have no gift for it — although that SURE doesn’t keep us from believing other people should spend a lot more time thinking about how it feels to be us.
“Prelude to a Kiss” is a movie about two people who accidentally put themselves into each other’s bodies, and although it could probably do more with its story, what it does is gentle and moving. The film is fairly hard to categorize, which is one of its strengths. If you’ve seen the coming attractions trailer, it probably left you completely confused. I’ve heard the movie described as being about ghosts and reincarnation, but it’s about neither, and in fact the supernatural gimmick in the story is there mostly as an excuse to explain the more interesting stuff.
The movie opens with love at first sight, between a guy who works at a Chicago publishing company (Alec Baldwin) and a woman who tends bar (Meg Ryan). They smile and their eyes light up, and in an astonishingly short time they know they must be married to one another. At the wedding, a strange thing happens, and don’t read another word unless you want to learn an important story point. An old man appears, who nobody seems to know, and he wishes the young couple well, and kisses the bride on the lips. And then…
But we know who the old man is. His name is Julius (Sydney Walker), and he lives in Berwyn with his daughter and son-in-law, and after his wife died he just sort of vegetated. On this day he got up, walked to the train station, and took the next train, which happened to be going to Lake Forest.
And he walked into the wedding and kissed the bride. On his honeymoon, the Baldwin character begins to realize something has gone wrong. His bride looks the same, but she isn’t the same. There are subtle clues in her behavior. Things she wouldn’t ordinarily say. Eventually Baldwin realizes that someone else is inside her. She is not the woman he married.
All of this will be familiar to people who have seen the play by Craig Lucas, who based this screenplay on it. It’s a gimmick, all right, but an interesting one, because it’s the setup for some unusually thoughtful movie dialogue, and a final scene of genuine emotional power. I won’t reveal the scene.
Of the dialogue, I’ll say how unusual it is for Hollywood characters to talk longingly and thoughtfully about our search for happiness in this world where most assuredly we will die. “Prelude to a Kiss” is the kind of movie that can inspire long conversations about the only subject really worth talking about, the Meaning of It All.
Baldwin finds all the right notes in his performance, from Yuppie barfly to guy in love to a man faced with a large metaphysical embarrassment on his honeymoon. Meg Ryan is subtle in the way she signals that perhaps she is occupied by another personality. There are small but splendid moments involving her parents (Ned Beatty and Patty Duke). But the emotional heart of the movie belongs to the old guy, Walker, a New York stage actor who got his first starring role at 71.
He is wonderful here. He begins as a block of human wood, an old man who looks as if he has not one single thing to say, and then he develops eloquently into a person of poetry and longing. He is, in many of his scenes, literally playing a woman in her 20s. How he does it – how he gets away with it – is through not just craft, but heart.
The payoff in the big final scene is enormously gratifying, although, if you see the movie, you may wonder, as I did, how the screenplay lets the old guy wander away at the end. I guess the filmmakers thought the center of the story was with Baldwin and Ryan. But when the old guy goes out the door, our thoughts go with him.
Prelude to a Kiss movie trailer.
Prelude to a Kiss (1992)
Directed by: Norman René
Starring: Alec Baldwin, Meg Ryan, Kathy Bates, Ned Beatty, Patty Duke, Sydney Walker, Debra Monk, Stanley Tucci, Annie Golden, Sally Murphy, Frank Carillo
Screenplay by: Craig Lucas
Production Design by: Andrew Jackness
Cinematography by: Stefan Czapsky
Film Editing by: Stephen A. Rotter
Costume Design by: Walker Hicklin
Set Decoration by: Jennifer Chang Binns, Cindy Carr
Art Direction by: W. Steven Graham
Music by: Howard Shore
MPAA Rating: PG-13 for language. (sex related dialogue)
Distributed by: 20th Century Fox
Release Date: July 10, 1992
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