Taglines: 30° below zero, five hours of daylight, what else can you do but get wrecked.
101 Reykjavik movie storyline. Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother’s Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year’s Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.
101 Reykjavík is 2000 film based on the 1996 novel by Hallgrímur Helgason. Both are set in Reykjavík, Iceland. The film was directed by Baltasar Kormákur and stars Victoria Abril and Hilmir Snær Guðnason. The title is taken from the postal code for down-town Reykjavík, “the old city”. The film won nine B-class film awards and received ten nominations most notably winning the Discovery Film Award at the Toronto International Film Festival.
About the Story
Geek Hlynur is approaching 30 years old, still lives with his mother who is divorced from his alcoholic father, downloads porn and wanders around Reykjavík half-heartedly searching for a job while spending lots of time in Kaffibarinn, the central Reykjavík bar (the bar is owned in real life by writer/director Baltasar Kormákur and his soundtrack composer Damon Albarn, a long-standing Icelandophile). The cramped, dark and oddly furnished house in which Hlynur and his mother live features a bath which transfigures into a sofa as Hlynur steps naked out of it, in the middle of the lounge with his mother watching.
Hlynur’s isolated world — no small metaphor for his home country — is going along rather blissfully ignorant of the greater joys involved with engaging in life until his mother’s friend Lola Milagros arrives to stay at the house for a while. Lola is a Spanish flamenco instructor with a seductive smile, a sultry voice and a carpe-diem attitude. Unknown to Hlynur, she is also in love with his mother, Berglind.
An enigmatic character, Lola quickly becomes the center of the household dynamic when, after a night of heavy drinking while mom is away, she and Hlynur sleep together. The fling remains a secret between Hlynur and Lola. (Throughout the film, the song Lola often plays as background music.) As Hlynur gradually learns of their lesbian relationship, he becomes jealous of it, realizing that he was simply a momentary fling for Lola, but he is also the dutiful son who wants to accept his mother’s newfound lesbianism and be happy for her. He also has occasional oedipal / incestuous dreams about his mother.
Lola wants Hlynur to get out of the house and find himself something to do because she recognizes from the start that that’s what he needs most, but Hlynur prefers to pass the time in a true slacker fashion with plenty of excess and not an iota of effort. He sees no real future for himself, rather an entire life supported by the Icelandic welfare state. “It’s a great system.” he says. When asked what he does, Hlynur responds with, “Nothing.”
Pushed further with, “What kind of nothing?” he replies the only way he can: “A nothing kind of nothing.” Not even death is a serious topic for Hlynur — intoxicating, out-all-night weekends inspire, “Each weekend I drop dead.” He says this while lighting up a Lucky atop a snow-capped mountain, where he lies down as the snow gradually covers him up, but his plans are scuppered by rainfall melting his would-be tomb. His mixed up thoughts include musings about suicide: “The worst thing about AIDS as a method of suicide is that it takes so long to die from it.”
101 Reykjavik (2000)
Directed by: Baltasar Kormákur
Starring: Hilmir Snær Guðnason, Victoria Abril, Hanna María Karlsdóttir, Þrúður Vilhjálmsdóttir, Baltasar Kormákur, Ólafur Darri Ólafsson, Halldóra Björnsdóttir, Ingibjörg Gunnarsdóttir
Screenplay by: Baltasar Kormákur
Cinematography by: Peter Steuger
Film Editing by: Skule Eriksen, Sigvaldi J. Kárason
Makeup Department: Manolo García, Ásta Hafthórsdóttir, Ana Lozano
Art Department: Emil Petursson
Music by: Damon Albarn, Einar Örn Benediktsson
Distributed by: 101 Limited
Release Date: June 1, 2000
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