Taglines: He’s back, he’s even bigger and he’s up for it!
Austin Powers: The Spy Who Shagged Me movie storyline. Dr. Evil uses a device he calls a “Time Machine” to travel back to 1969 and remove Austin Powers’ mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality.
Meanwhile, Dr. Evil’s personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs “Mini-Me”. The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either “The Death Star” or “Alan Parson’s Project,” depending on which name is available.
Austin Powers: The Spy Who Shagged Me is a 1999 American spy action comedy film and the second installment in the Austin Powers series. It is preceded by the original film, Austin Powers: International Man of Mystery (1997) and followed by Austin Powers in Goldmember (2002). The film was directed by Jay Roach, co-written by Mike Myers and screenwriter Michael McCullers,[2] and once again stars Myers as the title character. Myers also plays Dr. Evil and Fat Bastard.
The film’s title is a play on the 1977 Bond film The Spy Who Loved Me and contains plot elements from The Pink Panther Strikes Again and the other James Bond films, Diamonds Are Forever (laser gun plot), You Only Live Twice (secret volcano base), Moonraker (outer space), The Man with the Golden Gun (Mini-Me based on character Nick Nack) and On Her Majesty’s Secret Service (opening sequence in which it turns out that Vanessa Kensington was a fembot).
The film grossed around $312 million in worldwide ticket sales, taking more money during its opening weekend than the entire box office proceeds of its predecessor. It was nominated at the 72nd Academy Awards for the Academy Award for Best Makeup (Michèle Burke and Mike Smithson).
The movie’s soundtrack contains the 1999 smash hit “Beautiful Stranger” by Madonna. The song won a Grammy in 2000. Mike Myers appears as Austin Powers in the video, directed by Brett Ratner. Dr. Evil also sings a parody of Will Smith’s popular 1997 cover of the Grover Washington, Jr. classic “Just the Two of Us”, referring in this case to his clone Mini-Me. The film’s soundtrack had a rating of three stars at AllMusic.
About the Story
Austin Powers is enjoying his honeymoon with his wife, the former Vanessa Kensington. She turns out to be one of Dr. Evil’s fembots, who attempts to kill Austin, then self-destructs. Austin grieves briefly, then suddenly realizes that he is single again, which he celebrates by streaking through the hotel.
A NATO monitoring facility observes the return of Dr. Evil, confronting his son Scott, and then starting a riot, on The Jerry Springer Show, and informs British intelligence. At Dr. Evil’s Seattle headquarters, Dr. Evil is presented with a one-eighth-size clone of himself whom he calls Mini-Me.
Dr. Evil unveils his latest evil plan: he has developed a time machine to go back to the 1960s and steal Austin’s mojo, the source of Austin’s sexual appeal. Dr. Evil and Mini-Me go back to 1969 and meet a younger Number Two and Frau Farbissina. An obese “Scottish Guard” called Fat Bastard extracts Austin’s mojo from his frozen body at the Ministry of Defence Cryo Chamber.
British intelligence warns Austin that one of Dr. Evil’s agents is after him, and during a photo shoot the wanton Ivana Humpalot seduces him, but at the last moment she claims he is too sexy for her to kill him. They have sex in his bed, but do not get far before he discovers that he has lost his mojo and is impotent.
The MOD sends Austin back to 1969 with its own time travel device, a convertible Volkswagen New Beetle. Austin arrives at a party in his London pad and with the assistance of a CIA agent, Felicity Shagwell, escapes an assassination attempt by two of Dr. Evil’s operatives. Austin and Felicity are pursued by Mustafa, another of Dr. Evil’s henchmen; when caught he reveals the existence of Dr. Evil’s secret volcano lair. Before he can divulge its location, Mini-Me shoots him in the neck with a dart, causing him to fall off a cliff.
After examining photographs from the crime scene at MOD headquarters, Austin identifies Fat Bastard as the perpetrator of the theft of his mojo. At Dr. Evil’s lair, Fat Bastard arrives with Austin’s mojo. Dr. Evil drinks some of it and has sex with Frau Farbissina. This results in an awkward situation when Frau reveals that she is pregnant. At the same moment Scott, Dr. Evil’s son, arrives through the time portal. Dr. Evil announces his latest plan — to hold the world ransom by threatening to destroy major cities each hour, using a giant laser on the Moon. In London, Austin and Felicity get to know each other, but when Felicity tries to have sex with Austin, he turns her down because of his lost mojo.
Under MOD instructions to implant a homing device into Fat Bastard, Felicity seduces him, allowing her to plant it in his anus. Fat Bastard forces it out of his bowels into a Paddington Station toilet, but a stool sample from the scene is analyzed to reveal traces of a vegetable that only grows on one Caribbean island. Austin and Felicity arrive on the island, but are apprehended.
They are put in a cell with a guard who is overcome when Felicity exposes her breasts. Dr. Evil and Mini-Me leave for the Moon to install the giant laser and are followed by Austin and Felicity, who hitch a ride on Apollo 11. In Dr. Evil’s moon base, Austin battles with Mini-Me, eventually flushing him into space. As Austin confronts Dr. Evil, Dr. Evil gives him a choice: Save the world or Felicity, who is locked in a chamber with poison gas.
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Starring: Mike Myers, Heather Graham, Michael York, Robert Wagner, Seth Green, Elizabeth Hurley, Mindy Sterling, Verne Troyer, Gia Carides, Oliver Muirhead
Screenplay by: Michael McCullers, Mike Myers
Production Design by: Rusty Smith
Cinematography by: Ueli Steiger
Film Editing by: Debra Neil-Fisher, Jon Poll
Costume Design by: Deena Appel
Set Decoration by: Sara Andrews
Art Direction by: Alec Hammond
Music by: George S. Clinton
MPAA Rating: PG-13 for sexual innuendo and crude humor.
Distributed by: New Line Cinema
Release Date: June 11, 1999
Views: 141