Tacones Lejanos
Taglines: a mother, a daughter, a lover. relationships can be murder.
High Heels movie storyline. Rebeca, a TV news broadcaster, is at Madrid’s airport anxiously awaiting the return of her mother whom she has not seen since she was a child. Her mother, Becky del Páramo, a famous torch song singer, is coming back to Spain after a fifteen-year stay in Mexico. While waiting, Rebeca recalls incidents from her childhood in which her mother left her in the background of her life preoccupied with her career and her romantic life. For fifteen years Rebeca has longed for her mother to come back and for the love and affection of which she had been deprived. Nevertheless, her love is accompanied by a deep resentment.
Rebeca has since become a newsreader for a private television station owned by her husband Manuel. The reunion of mother and daughter is even tenser because Manuel was many years ago one of Becky’s lovers. The night of her return, Becky, Rebeca and Manuel have supper and then go out to see Letal, a female impersonator whose drag act is based on Becky. For sometime, Rebeca has been coming to see the show whenever she misses her mother. Backstage, Rebeca helps Letal to remove his costume. Kneeling in front of him as she helps him undress, she is impressed by his manliness. Letal takes advantage of the situation and they make love. Manuel, who no longer loves his wife, wants to sleep with Becky again and divorce Rebeca.
A month later, Manuel is murdered in his villa. He had spent the evening first with his mistress Isabel, who is the sign language interpreter of Rebeca’s words on the news, and then with Becky who, having become his lover again has learnt he had another mistress and had come to announce it was over between them. It was Rebeca who discovered the body. The investigating magistrate, Judge Dominguez, centers his suspicions on the mother and daughter whose relationship he knows has not recovered since Rebeca found out Becky was seeing Manuel.
On the day of Manuel’s funeral, while reading the news of his death, Rebeca confesses to the murder live on television. She is immediately imprisoned but the investigating judge seems desperate to prove her innocence despite all the evidence. Becky makes her return to the Madrid stage while Rebeca spends her first night in prison. In jail, she listens on the radio to a triumphant Madrid concert performance of her mother who dedicates her first songs to her.
Paula, the social worker, takes a special interest in Rebeca; like her, she is heartbroken, grieving the loss of Hugo, her boyfriend. A nude picture of Hugo that Paula carries with her makes Rebeca think that Letal and Hugo are the same person. The judge arranges for Becky to see her daughter, and Rebeca now denies the murder of Manuel. Mother and daughter confess to each other their lack of love, their jealousy, and their secrets.
Rebeca draws a comparison between herself and the daughter in the film Autumn Sonata in which the girl’s mother, an outstanding pianist, asks her to play the piano and then humiliates her by telling her how to improve her performance. Rebeca suggests that she too has always felt inferior to Becky and has been forced to compete with her, winning only once by marrying Manuel. But even this victory was finally denied her, when Becky started an affair with Manuel.
If Rebeca’s desire to be closer to Becky led her, fifteen years ago, to murder her stepfather, it also played some part in her murder of Manuel, whom she sees as ousting in her mother’s affection. The extent of Rebeca’s fixation and the limitlessness of her adoration are too much for Becky’s frail heart and her condition worsens. Back in prison, Rebeca discovers she is pregnant – carrying Letal’s child. At once, the Judge releases her from prison but without any fresh evidence.
High Heels (Spanish: Tacones lejanos, meaning “Distant Heels”) is a 1991 Spanish melodrama film written and directed by Pedro Almodóvar and starring Marisa Paredes, Victoria Abril and Miguel Bosé. The plot follows the fractured relationship between a self-involved mother who is a famous torch song singer and the grown daughter she had abandoned as a child. The daughter, who works as a TV newscaster, has married her mother’s ex-lover and has befriended a female impersonator. A murder further complicates this web of relationships. The film was selected as the Spanish entry for the Best Foreign Language Film at the 64th Academy Awards, but was not accepted as a nominee.
The original title of the film is Tacones Lejanos, which can be translated as Distant Heels and refers to Rebeca’s childhood, when she was unable to sleep until her mother entered her bedroom and Rebeca was able to hear the sound of her mother’s heels as she left, walking down the hallway.[8] The inaccuracy of the English translation of the title affected the reception of the film, as the English High Heels suggests stylish comedy, whereas the Spanish Distant Heels conveys a feeling of family melodrama.[8] The Spanish title Distant Heels is a reference to Raoul Walsh’s film Distant Drums (1951).
High Heels – Tacones Lejanos (1991)
Directed by: Pedro Almodóvar
Starring: Victoria Abril, Marisa Paredes, Miguel Bosé, Anna Lizaran, Cristina Marcos, Bibiana Fernández, Miriam Díaz-Aroca, Féodor Atkine, Paula Soldevila
Screenplay by: Pedro Almodóvar
Production Design by: Pierre-Louis Thévenet
Cinematography by: Alfredo Mayo
Film Editing by: José Salcedo
Costume Design by: José María de Cossío
Set Decoration by: Julián Mateos
Art Direction by: Carlos García Cambero
Music by: Ryuichi Sakamoto
MPAA Rating: R for a scene of strong sensuality, and for language.
Distributed by: El Deseo S.A
Release Date: October 23, 1991
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